Saturday, January 16, 2016

Quick Thoughts - Reading Reviews

I think it's safe to say that I have thoughts on reviewing. Much like I have thoughts on stories, I could write my own reviews of reviews and how successful I think they are at what I think they're trying to do. Obviously I don't think there's some metric of a good review, some eternal and objective guide, just as I believe that no such guide exists for stories. There is no formula and no approach that necessarily has more value than any other. But I do think that some reviews are more valuable than others just as I think that some stories are more valuable than others. But why the fuck should anyone care? Why am I bothering to say this when it might seem obvious given my philosophy on reviewing stories? 

The easy answer is that Lois Tilton leaving Locus got me thinking about reviewing. Thrown into this has been some general chatter falling out of that about reviewing, which opened up the old discussion of who reviews are for in general. Because, it is argued, no one pays attention or no one changes their habits based on reviews, or…well, there are a number of reasons why reviews exist in a strange place where they can be useful or useless, depending on whose complaining to who. Some said that reviews are really just for authors, that it's a sort of circle jerk of ego stroking. Of course, the same voices were sort of decrying the "state of short SFF" in the same breath, so I kind of think it has more to do with the reviewers perhaps liking stories that people don't think are worthy of time or attention. 

Now, okay, Lois Tilton has walked away from Locus, where she reviewing an awful lot of stories. And, okay, to review some reviews, some of the work she produced there was…questionable. And not just in the "there were some reviews I agreed with and some I didn't." There are many reviews I disagree that I still think are good reviews, because they are insightful and because they are well written and because reviewing is a form that does take some work. Are reviews bad because they are negative? No. Indeed, negative reviews can be both damned entertaining and damned important texts. Are reviews bad because they are glowing? No, for much the same reason. I love sharing in someone's joy at reading a text, and what they manage to pull out from the words and techniques. When I have a problem with reviews my biggest complaint is failure to engage the text. Failure to try. A review that is half about how the author of a work's name is like a different author's name and is therefore confusing=not trying. A review that is basically complaining about how the story isn't really science fiction but is marked as science fiction=not trying. 

Not that I'm trying to tell anyone their business, but I do think that reviewing and reviews deserve to be viewed with some measure of critical gaze and I just want to sort of go through how I look at and judge reviews. Because, more than anything, I want a review to help me think about a text. Either after I've read a thing and want to see other reactions to see if they help crystallize my own thoughts or before I read a thing in order to get an idea of what to expect. Now, there's also reading reviews to get recommendations on what to read and there's even reading reviews because reviews are fun to read. In all of these, though, I value honest engagement with a text. And if I see that a reviewer has two sentences to say on a text and they have nothing really to do with the actual work, I know to kind of stay away. 

But what I think I'm trying to say in all of this is that reviews have value. Perhaps I'm biased because I review, but I think that reviewing has value outside what it can do for publishers. It's about energizing readers and connecting with stories, with texts. It's about passion and it's about expression in many ways just as much as the works that inspire the reviews. Like fanfiction in some ways, reviewing can't really exist without the original texts, and like fanfiction there's a vast range of reviews out there. Some are incredible. Some are…not. Hopefully I manage to hit somewhere in between (to lean more incredible than suck is my goal). 

But mostly it would be nice to be able to talk about reviewing as one talks about texts in general rather than as glorified advertising. Just as I cringe away when people start talking about "the problem with short SFF these days is…" so too do I cringe when people start talking about "the problem with reviewing these days is…" We are living in a golden age of access to amazing reviews (unfortunately also a golden age of people not getting paid for them, but that's another thing entirely), with people being able to see review of stories and books and movies (via Amazon, Goodreads, etc.) from users all of the world. I would like to think this is a good thing, not just in order to make money for people and businesses, but to complicate how we talk about and approach texts. Because that is amazing. Thanks for reading! 

All the best, 

Charles Payseur

Friday, January 15, 2016

Quick Sips - Strange Horizons 01/04/2016 and 01/11/2016

Today I'm looking at two weeks of Strange Horizons material, which normally means a bit of everything except that I don't feel quite qualified to talk about the nonfiction (though it is quite interesting and I recommend checking it out). The fiction, though, is strange and fantastic, two stories that approach history and faith and journeys for meaning. And the poetry features departures and ghosts, of people lost and of the children we used to be. Everything works quite well and it's time to review!


Thursday, January 14, 2016

Quick Sips - Apex #80

Fuck this is a huge issue of Apex Magazine. And I know, I know, that's the whole point, because this is the publication hitting eighty issues! It's also the reward issue for the subscription drive from late 2015, which means there is...a lot of fiction and poetry. Six pieces of original fiction and seven original poems make this the largest I've read this month, and it's not like the stories are all that short, with no flash and one story tipping the scales at 14k. So yes, it's big. But is it good? Yes. So much yes. Two stories by Ursula Verson bookend the fiction, circling around age and friendship and changing roles, and the gooey center features stories about inequality and difference and the unseen that exists all around us, about worlds within worlds, about danger and otherness and it's dark and effective and yes, very good. The poetry mixes science and love, loss and grief. All in all, it's a hell of an issue, a giant thank you to fans of the publication, and I'm going to review it, okay?


Art by Matt Davis

Wednesday, January 13, 2016

Quick Sips - Beneath Ceaseless Skies #190

Beneath Ceaseless Skies is officially into 2016 and it's first issue of the new year is full of tales of blood and loss, of lives cut short before their time only to be given a second chance. Both stories feature charactesr who experience loss and violence and the threat of violence. And both, ultimately, are about justice and what it means to pay for one's sins. For all that, I'd hesitate to call these stories of revenge. There's something deeper to them, not just an eye for an eye but more an atonement, a balancing of scales, and both stories end with a sort of righteous hope and a promise that while some things can never be made right, they can at least be moved on from. I love the way these stories show characters defined by loss who find a way through that, who shake off such simple definitions and embrace realities more complex. But I should stop pontificating and just get to those pesky reviews!
Art by Xiao Ran


Tuesday, January 12, 2016

The Monthly Round is Up!

The Monthly Round is currently up over at Nerds of a Feather, Flock Together. My favorite stories of December 2015 paired with adult beverages.

This month's picks are...

Tasting Flight: December 2015

"The Lily and the Horn" by Catherynne M. Valente (Queers Destroy Fantasy)
"Memory Tree" by Jes Rausch (Apex #79)
"The King of Ashland County" by Caspian Gray (Nightmare #39)
"Interlingua" by Yoon Ha Lee (Uncanny #7)
"When We Die on Mars" by Cassandra Khaw (Clarkesworld #111)
"Be Seeing You" by Madeline Ashby (Terraform)

Shots:

"The Log Goblin" by Brian Stavely (Tor)
"Tigerskin" by Kurt Hunt (Strange Horizons)
"The Snow Globe" by Kate Hall (Flash Fiction Online)

Monday, January 11, 2016

Quick Sips - Shimmer #29

I was told a while ago to expect Shimmer to run a few "heavier" Shimmer issues, and I think I finally get what was meant, because the stories this month both weigh in at over or near 5k a piece. But hey, more great stories = fine by me! Both stories available this month are dark and nebulous, ambiguous and mysterious, about the power of loss. In some ways both also look at how gender and gender expectations can become cages and vehicles for pain and damage. They are soft story, horrifying in how they hint at the borders of humanity and...something else, but also in how they distance themselves from the horror they brush against. They are dark water whose bottoms are concealed, that could be any depth at all. And I should get to reviewing them.

Art by Sandro Castelli

Sunday, January 10, 2016

THE SIPPY AWARDS - The "I'm Sleeping with the Lights On" Sippy for Excellent Horror in Short SFF


And you thought maybe this was over? After just one week? Fat chance! No, Sippy is back and will continue to be back every Sunday in January. With relationships safely shipped out, it's time for the Sippy to set it's drunken gaze elsewhere. But where? Under the bed, perhaps? In the closet, where none dare tread?  Second up is--

The "I'm Sleeping with the Lights On" Sippy 
for Excellent Horror in Short SFF

I will fully admit to being a complete scaredy-cat when it comes to most things. Scary movies? Nuh-uh (couldn't even watch Ernest Scared Stupid as a kid because it was too intense). But scary stories? Yes please. There is something about a well-crafted horror story that just makes me itch for more. Maybe I'm a secret masochist, but horror has provided some of my very favorite stories of the year. Indeed, if I had to pick one stand-out publication this year it would probably be Nightmare Magazine. As the below list might highlight. In any event, let's get to the winners...