Showing posts with label Naomi Kritzer. Show all posts
Showing posts with label Naomi Kritzer. Show all posts

Friday, May 1, 2020

Quick Sips - Tor dot com April 2020

Art by Ashley Mackenzie
So I'm used to Tor dot com releasing up to four stories a month, which means this month's six stories represent something of a surge in fiction. Perhaps it's that the venue knows that more people are home right now, and so might be more available to read some great fiction. Whatever the reason, I'm glad, as the stories are a great mix of science fiction and fantasy, featuring portals inside little free libraries, psychic investigators battling malevolent ghost...fish, and a whole cartography of a new and strange world...that's really not all that strange at all. The works are careful and full of quiet longing and intense action, and I'll get right to reviewing this cornucopia of SFF!

Thursday, January 16, 2020

Quick Sips - Clarkesworld #160

Art by Eduardo García
Well that’s one way for Clarkesworld to open 2020. Following the pulling of their lead story at the request of the author, the publication will also be issuing a statement (at the time of my writing this it’s still forthcoming). I had written a review of the piece, but it’s my policy to remove reviews at the request of authors, and I’m honoring the author’s request to remove the story from publication as a further request to remove my review of it, in this case preemptively. So I will not be posting a review of the story, at least as things stand now. That said, there’s still a lot of issue to get to, and a lot of the stories this month are linked by themes of death and loss, by family, and by mortality and transformation. There are many characters dealing with the line between human and robot, between AI and person, between friend and monster. To the reviews!

Thursday, December 13, 2018

Quick Sips - Uncanny #25 [December stuff]

Art by John Picacio
It’s a month of ghosts, cyborgs, and mages at Uncanny Magazine this December, with three stories and two poems fleshing out a vibrant range of short SFF. The pieces very much represent a wide swath of genre work—one contemporary fantasy, one near-future science fiction, one mix of fantasy and horror and science fiction. The poems look at language and at loss and rebirth. And together there’s an interesting take on family and vulnerability, showing characters trying to find ways of dealing with a new and possibly destructive present while changing their assumptions and focusing on adaptation and perseverance. It’s a great bunch of works, and I’ll get right to the reviews!

Thursday, September 20, 2018

Quick Sips - Apex #112

It’s another rather large Apex Magazine this month, with three short stories and a novelette full of darkness, damage, and families. For most of the works, at least, the focus is on the pressures that people, especially women, face to blend in and accept a world that is so actively harmful to them, loaded against them. That they are pushed into participating in a system that harms and abuses them, without real help in dismantling that system. And for some, this is something to fight against, something to push back against, and maybe win some room, some progress towards a better world. And for others it’s something where any attempt to push back is met with brutal punishment and constant bombardment of abuse and humiliation. The stories map the complexities of desire and hope in settings where darkness holds sway, and they are all beautifully devastating. So, to the reviews!

Art by Joel Chaim Holtzman

Thursday, June 22, 2017

Quick Sips - Uncanny #16 [June stuff]

Well it’s another busy month at Uncanny Magazine, with three original stories, two poems, and five nonfiction pieces. I was very tempted to just skip the nonfiction, I will admit, because of time concerns, but once I saw it was about Star Trek, food, resistance, and revolution, I kinda had to look at it more in depth. What’s here this month has a great focus on self-determination and strength and stories. About the ways that we write ourselves out of struggles in order to relieve the burden of having to act and the ways that we need to counter that. The stories focus on people being confronted with narratives that don’t leave room for them, where they are often ignored or marginalized, and how they seek to recenter and decolonize these stories to present a more just and more complete vision of the world. And the pieces all do this by subverting tropes and familiar structures and ideas to present wholly new and revolutionary messages. Time travel is revealed as more crutch than cure. Vampirism takes on wholly new levels when crossed with gender and transition. Narrative structure and voice itself is blurred as character and author and reader meet. It’s a lovely collection of works and an amazing call to arms for SFF readers who want to act and fight back against what perhaps is becoming the darkest timeline. So yeah, review time!

Art by Galen Dara

Thursday, March 16, 2017

Quick Sips - Clarkesworld #126

It's a pretty standard month from Clarkesworld Magazine for March, with five original stories including a great novelette in translation. Indeed, the four short stories all come in within about 500 words of each other and all of them are science fiction pieces. More connective than length, though, these pieces are concerned with new forms of intelligence and with the end of the world. Or maybe just with the end of certain aspects of it. But at least two of the stories are more specifically apocalyptic, and many besides are about doubt and depression, anxiety and seclusion. These stories show people closing themselves off from the rest of the world—out of fear or hurt—and then having to decide whether to open up again. It's a wonderful issue and it's time to review!

Art by Sergei Sarichev

Friday, November 6, 2015

Quick Sips - Clarkesworld #110

The November issue of Clarkesworld offers up a slew of stories that could be described as apocalyptic. At the very least most are concerned with disasters, with destruction on a large scale, though often these huge extinctions are viewed in the most personal of ways. As posts on a cooking blog. As reports from a woman to her father. As the recollections of one person about the last human. As an unlikely banding together of very different people. Plus a slow and subtle translated piece that makes for a layered and rather meta read. It's a deep issue, and one I should just get to reviewing! 

Art by Julie Dillon

Monday, April 13, 2015

Quick Sips - Apex #71

Today I'm looking at the latest from Apex Magazine. As always, there's a lot to like, including five short stories, two poems, and some nonfiction, of which I'm looking at one. Also, that cover. Amazing. The stories are fairly dark and most with some lingering questions after the final words fall. Which leaves it up to the reader to draw conclusions and find meaning. To introspect. It's a neat tool used to great effect in this issue. So without further delay, the reviews!

Art by Adrian Borda

Monday, January 5, 2015

Quick Sips - Clarkesworld #100

So here's my first post, looking at Clarkesworld #100. It's a long issue, with two translations. Just FYI, I don't normally read reprints, but I will read first time translations, as these are. And normally I won't review non-fiction either, but I'll make exceptions at times, like for one of the pieces here. Indeed!

Stories:

"Three Cups of Grief, by Starlight" by Aliette de Bodard (6934 words)

An interesting story told from three perspectives revolving around the death of one woman who is mother to the first character, a human male; mentor to the second character, a human female; and mother to the third character, a mindship female. The pacing is slow, easy, and the story contrasts nicely how the woman lives on through the people she leaves behind. And though her memories, her electronic remains, are passed to the one non-family member in the story, it is the others, the son and daughter, that keep her more whole. It makes a soft point about grief and about memory, and is nicely written, but it didn't really strike me as much as I would have liked.

"A Universal Elegy" by Tang Fei, translated by John Chu (6898 words)

A series of letters sent from a woman to her brother that trace a very strange journey among the stars, I was at first a little hesitant about the story because it begins with a woman fleeing one abusive relationship for what seems another. It doesn't turn out exactly to be the case, but there is a sense that the main character has some issues with her independence, that there is some serious issues with her life that put her in situations where she's nearly worshipping the men she's with. When she goes along with an alien to his home-world, though, things shift a bit and she learns more about herself, about the way she wants to live. I really liked the ending, that idea that the alien she was with can amputate memories. Those last lines are powerful. The middle dragged on a bit for me, though, and I still feel some of this one went by me.

"Cat Pictures Please" by Naomi Kritzer (3429 words)

Now here was one that had me laughing and nodding, as a AI tries to be benevolent while harboring a strong passion for cat pictures. I loved how the humor weaved throughout, how the AI makes decisions based on cat pictures, how it tries to help people. I'm not entirely sure about that aspect of the story. The part with the "gay" pastor was cute and I think made an interesting point, but I didn't like that he had to be gay and couldn't have been bi. I understand the point was probably that he was repressing his homosexuality because of his religion, but I don't really like that he is shown to not actually like women, too. It's a small criticism, but one a bit close to my heart. Overall, though, I liked the idea of the trying-to-be-helpful AI who doesn't have it all figured out yet. Learning that sometimes you can't help people, but maybe you can help them help themselves.

"The Apartment Dwellers Bestiary" by Kij Johnson (4109 words)

I did get a kick out of this story, as well. At first I had to kind of squint at it, but by the end those last lines are hardly necessary. Probably anyone who's had roommates or lived communally at all will recognize some of the creatures. It was a little jarring that the entries didn't seem joined by a common narrator or recorder. They seemed to jump around, which offers a bit more diversity (which was nice), but for a while I wanted to think that it was the same person again and again and that stopped making sense to me at some point. Still, the creatures are fun and the story taken as a whole provides some interesting glimpses into what we choose to live with. Probably it wants more than one reading, though, so there's that.

"Ether" by Zhang Ran, translated by Carmen Yiling and Ken Liu (14684 words)

This one was long. I will admit that there was a stretch where I really wanted to set it down and abandon it. Which would have been a mistake, because it is a very neat story, one that imagines a world where dissent isn't exactly impossible, but that it's isolated. Where the government controls things not so that people can't say what they want, but so that people can't hear what other people say. They filter out the controversy and dissent so that people only hear inane drivel. It's a cool concept but one that takes a long time to come out. And in the end there isn't too much the story does with that idea, though there is a sense it will happen. That something has to happen. It does a great job at looking how humans need other humans to be passionate, how destructive it would be to take away the echo chamber. It doesn't really examine the dangers of the echo chamber, nor does it complicate the matter by looking at how the world has changed for the better at all, but it's still an interesting story, if very long.

"The Long Goodnight of Violet Wild" by Catherynne M. Valente (5982 words)

Weird and tragic, this one took me a while to get into. The lingo is foreign and very strange. Is it a bit gimmicky? Yes, but not in a bad way, or at least not in the worst of ways. The language, the landscape, are strange and much of it has meaning to unpack. And like most stories that use such an altered language, it gets easier to read as you go, perhaps because you get used to it or because it's hard to maintain as a writer and it just eases as things go. There's a very interesting story here, but it's only the first part. Violet Wild is a fun character, rebellious and trying to recapture her first love. It does not have the feeling of a story that is going to end well. The more child-like setting, one where things don't work by adult logic, seems more like it will contrast with the tragedy of death and the tragedy of whatever is going to happen to Violet when she gets to the Red Country. But I guess I will have to wait and see.

"An Exile of the Heart" by Jay Lake (7001 words)

Definitely one that will bring a smile. I must admit that I have a soft spot for sci fi stories like this, ones that don't mind showing people breaking out of expected roles and norms. Showing that loves rises. There is a bit of uncomfortableness because of how a "love potion" is used and so there is some question of consent at times. I want to believe that it doesn't really matter, but maybe it does. I'd have to think on it more. It's a fun story, though, light and adventurous and with a good ending. Narrated, too, which is a bit more odd, because it does a good job of staying out of people's heads all the time. It's a story to speak aloud, and one that's definitely worth reading.

Non-Fiction:

"#PurpleSF" by Cat Rambo

Some nice stuff here about encouraging diversity in SFF. Given that it touches on Gamergate and other rather horrible things that have happened in the last year, it's a really fine map of what's been going on, and where things can perhaps move now that we're through and (hopefully) beyond some of the idiotic crap that Gamergate brought with it. An excellent read!