Showing posts with label Kij Johnson. Show all posts
Showing posts with label Kij Johnson. Show all posts

Monday, April 13, 2020

Quick Bonus - Anthology Thoughts: Octopus Edition

Every so often I think of a rather random theme for a short SFF anthology, pretty much when I feel I've read some sort of critical mass of stories that would fit. Today, I'm back with my anthology thinking cap on to bring you a list of stories featuring everyone's favorite cephalopods--the octopus! And okay, maybe not everybodies, but still, they're cute and crafty and classics of SFF. Now, because they're classics it might seem that there's too many stories to include. And indeed, there have been whole anthologies in the past that have included a similar theme, and indeed there was an Octopus Anthology released back in 2013 called Suction Cup Dreams, edited by David Joseph Clarke. But that was a long time ago, especially in octopus years. So join me in highlighting some of my favorite octopus-themed stories from the recent(ish) past!

Squeezing and Entering” by Noe Bartmess (Translunar Travelers Lounge #2; My Review)
Caesar is part of the octopus Resistance, and if that wasn't enough to get you hooked on this story, then I'm sorry for you. He's also got a separate personality for each limb and the resuly is weird but also hilarious!

Octo-Heist in Progress” by Rich Larson (Clarkesworld #146; My Review)
I think we can all agree that Pico is an octopus after our own hearts. The story is fun with a tight-paced plot that hinges on, you guessed it, a heist involving an octopus. Not, mind you, a heist of octopuses.

Tool-Using Mimics” by Kij Johnson (Clarkesworld #138; My Review)
Probably the strangest and most formally challenging of the bunch, this one doesn't involve an octopus but a picture of a "squid girl." The piece builds around survival and adaptation, and the loss of having to spend so much energy on avoiding societally-reinforced dangers and toxicities.

Only the Messenger” by Emily C. Skaftun (Beneath Ceaseless Skies #299; My Review)
Astrill is a kind of octopus from a planet where his people are the dominant species. He now travels through space as an engineer in a setting where both reincarnation and faster-than-light communication are a thing, though the later ends up being part of an enormous conspiracy...

"Some Remarks on the Reproductive Strategy of the Common Octopus" by Bogi Takács (Clarkesworld #127; My Review)
In a complex and powerful take on "uplifted animals," the narrator of this story is a sentient octopus on an alien world who finds a human, opening up a lot about the history of both peoples. It's charming but doesn't shy away from some difficult topics. (more recently appeared in the amazing The Trans Space Octopus Congregation from Lethe Press)

"Song of the Krakenmaid" by JY Yang (Lackingtons #8; My Review)
Definitely the most sensual of the bunch so far, and not involving an octopus exactly but a kind of octopus-merperson who is found and brought in to research. The piece touches on longing and environmental exploitation and is all kinds of good.

Honorable Mention:

The Last Stellar Death Metal Opera” by Elly Bangs (Escape Pod #697; My Review)
This is a complete cheat because the octopuses are never seen, but rather are on a planet that the narrator is trying to save from destruction (by becoming a sacrifice). But despite the only-tangential inclusion of octopuses, it's a good story and so I'm sticking it here.

Anyway, I know this is rather random, but it's something I was thinking about recently. Cheers!

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Thursday, February 6, 2020

Quick Sips - Lightspeed #117

Art by grandfailure / fotolia
February brings the normal amount of fiction to Lightspeed Magazine, without too much of a unifying theme. The stories are stark, often featuring people or beings dealing with complex systems that have been built. The main characters tend to be those set outside of these systems, not centered, their desires and needs expected to be suppressed for the good of the dominant. How they handle that, and how their struggle ends up impacting those systems, varies by piece but gives an overall feeling of defiance even in the face of certain defeat and death. Not the brightest of issues, but some provocative works. To the reviews!

Tuesday, August 14, 2018

Quick Sips - Clarkesworld #143

Three short stories (including one translation) and two novelettes round out Clarkesworld’s August, with a bit more fantasy that I was expecting. Or what would have been more fantasy than I was expecting, except that a number of the stories this month play with that in subtle ways, slowly revealing that what seems like magic is actually something different, something much more technological in nature. Not that the issue is completely sci fi, but I feel like the uniting thread is more that each story plays with expectations in interesting ways, and leading the reader through worlds where they must piece together the rules, only to occasionally find that the final piece of the puzzle is a leap of faith. It makes for an interesting bunch of stories, which I will review...now!

Art by Luis Carlos Barragán

Tuesday, March 13, 2018

Quick Sips - Clarkesworld #138

March brings four short stories and a new novella to Clarkesworld Magazine. Which means for the second month in a row, the publication is bringing an original novella. It certainly continues the trend of including longer works at online (primarily, for there is a print edition) venues. The stories overall are, well, rather dark. To me, they focus a lot on corrupt systems and how sometimes there’s no real fixing them all at once. How what often happens is that people live and die, are crushed and ground to powder, for a long time before a bad system starts to improve. Not that it can’t improve, but that for many vulnerable people it doesn’t improve fast enough. Which makes for a slew of often very difficult stories, but ones that do hold onto a hope that things will get better, even if we don’t all live to see it happen. To the reviews!

Art by Arthur Haas

Tuesday, March 8, 2016

Quick Sips - Clarkesworld #114

Spring might be in the air, but at Clarkesworld this month things aren't quite jubilantly hopeful. Not that the stories are incredibly gloomy, but there is a certain loneliness to the stories this month. A longing and a loss and an isolation that is cut a bit by family and care, but often the losses in these stories are not ones that are recovered or recovered from. The characters in these stories are all alone and trying to figure out what to do with that, trying to figure out how to go on. Their answers are all different, all interesting, and all worth checking out. To the reviews!
 
Art by Waldemar Kazak

Monday, January 5, 2015

Quick Sips - Clarkesworld #100

So here's my first post, looking at Clarkesworld #100. It's a long issue, with two translations. Just FYI, I don't normally read reprints, but I will read first time translations, as these are. And normally I won't review non-fiction either, but I'll make exceptions at times, like for one of the pieces here. Indeed!

Stories:

"Three Cups of Grief, by Starlight" by Aliette de Bodard (6934 words)

An interesting story told from three perspectives revolving around the death of one woman who is mother to the first character, a human male; mentor to the second character, a human female; and mother to the third character, a mindship female. The pacing is slow, easy, and the story contrasts nicely how the woman lives on through the people she leaves behind. And though her memories, her electronic remains, are passed to the one non-family member in the story, it is the others, the son and daughter, that keep her more whole. It makes a soft point about grief and about memory, and is nicely written, but it didn't really strike me as much as I would have liked.

"A Universal Elegy" by Tang Fei, translated by John Chu (6898 words)

A series of letters sent from a woman to her brother that trace a very strange journey among the stars, I was at first a little hesitant about the story because it begins with a woman fleeing one abusive relationship for what seems another. It doesn't turn out exactly to be the case, but there is a sense that the main character has some issues with her independence, that there is some serious issues with her life that put her in situations where she's nearly worshipping the men she's with. When she goes along with an alien to his home-world, though, things shift a bit and she learns more about herself, about the way she wants to live. I really liked the ending, that idea that the alien she was with can amputate memories. Those last lines are powerful. The middle dragged on a bit for me, though, and I still feel some of this one went by me.

"Cat Pictures Please" by Naomi Kritzer (3429 words)

Now here was one that had me laughing and nodding, as a AI tries to be benevolent while harboring a strong passion for cat pictures. I loved how the humor weaved throughout, how the AI makes decisions based on cat pictures, how it tries to help people. I'm not entirely sure about that aspect of the story. The part with the "gay" pastor was cute and I think made an interesting point, but I didn't like that he had to be gay and couldn't have been bi. I understand the point was probably that he was repressing his homosexuality because of his religion, but I don't really like that he is shown to not actually like women, too. It's a small criticism, but one a bit close to my heart. Overall, though, I liked the idea of the trying-to-be-helpful AI who doesn't have it all figured out yet. Learning that sometimes you can't help people, but maybe you can help them help themselves.

"The Apartment Dwellers Bestiary" by Kij Johnson (4109 words)

I did get a kick out of this story, as well. At first I had to kind of squint at it, but by the end those last lines are hardly necessary. Probably anyone who's had roommates or lived communally at all will recognize some of the creatures. It was a little jarring that the entries didn't seem joined by a common narrator or recorder. They seemed to jump around, which offers a bit more diversity (which was nice), but for a while I wanted to think that it was the same person again and again and that stopped making sense to me at some point. Still, the creatures are fun and the story taken as a whole provides some interesting glimpses into what we choose to live with. Probably it wants more than one reading, though, so there's that.

"Ether" by Zhang Ran, translated by Carmen Yiling and Ken Liu (14684 words)

This one was long. I will admit that there was a stretch where I really wanted to set it down and abandon it. Which would have been a mistake, because it is a very neat story, one that imagines a world where dissent isn't exactly impossible, but that it's isolated. Where the government controls things not so that people can't say what they want, but so that people can't hear what other people say. They filter out the controversy and dissent so that people only hear inane drivel. It's a cool concept but one that takes a long time to come out. And in the end there isn't too much the story does with that idea, though there is a sense it will happen. That something has to happen. It does a great job at looking how humans need other humans to be passionate, how destructive it would be to take away the echo chamber. It doesn't really examine the dangers of the echo chamber, nor does it complicate the matter by looking at how the world has changed for the better at all, but it's still an interesting story, if very long.

"The Long Goodnight of Violet Wild" by Catherynne M. Valente (5982 words)

Weird and tragic, this one took me a while to get into. The lingo is foreign and very strange. Is it a bit gimmicky? Yes, but not in a bad way, or at least not in the worst of ways. The language, the landscape, are strange and much of it has meaning to unpack. And like most stories that use such an altered language, it gets easier to read as you go, perhaps because you get used to it or because it's hard to maintain as a writer and it just eases as things go. There's a very interesting story here, but it's only the first part. Violet Wild is a fun character, rebellious and trying to recapture her first love. It does not have the feeling of a story that is going to end well. The more child-like setting, one where things don't work by adult logic, seems more like it will contrast with the tragedy of death and the tragedy of whatever is going to happen to Violet when she gets to the Red Country. But I guess I will have to wait and see.

"An Exile of the Heart" by Jay Lake (7001 words)

Definitely one that will bring a smile. I must admit that I have a soft spot for sci fi stories like this, ones that don't mind showing people breaking out of expected roles and norms. Showing that loves rises. There is a bit of uncomfortableness because of how a "love potion" is used and so there is some question of consent at times. I want to believe that it doesn't really matter, but maybe it does. I'd have to think on it more. It's a fun story, though, light and adventurous and with a good ending. Narrated, too, which is a bit more odd, because it does a good job of staying out of people's heads all the time. It's a story to speak aloud, and one that's definitely worth reading.

Non-Fiction:

"#PurpleSF" by Cat Rambo

Some nice stuff here about encouraging diversity in SFF. Given that it touches on Gamergate and other rather horrible things that have happened in the last year, it's a really fine map of what's been going on, and where things can perhaps move now that we're through and (hopefully) beyond some of the idiotic crap that Gamergate brought with it. An excellent read!