THE SIPPY AWARDS 2019! The "I'm Sleeping with the Lights On" Sippy for Excellent Horror in Short SFF

Day 2 of the 2019 Sippy Awards takes something of an abrupt turn from relationships to look at stories that I felt excelled at something a bit...creepier. Now, some people try to separate SFF and horror, treating them as two entirely different things. But like peanut butter and chocolate, I often feel like the two do so well together. And there's no denying the horror elements of some SFF stories, and no taking out the SFF elements from some horror stories. So call them what you will, but today I'm celebrating the...

“I’m Sleeping with the Lights On” Sippy Award 

for Excellent Horror in Short SFF

For me, horror is all about fear, about feeling. And there's no denying that in 2019 there was plenty of that to go around. But even as fear is often used as a tool to divide, to instill hate and bigotry, to inspire violence, I feel it can also be a tool to unite, to build empathy, and to inspire hope. Often horror is a genre where uncomfortable and disturbing themes and content come out to play. The inclusion of those elements confronts readers with things that they often might feel like ignoring. And through those confrontations, some readers must face the weight of the real-world horrors going on all around them, made personal and poignant in the fictional spaces these works open up. From toxic relationships to cosmic insignificance, the works range in their focus, but all tread carefully and powerfully amidst pain, predation, and abuse.

Probably coming as no surprise, the stories here came from two of the biggest SFF horror publications around, The Dark and Nightmare magazines. Not that other publications don't also do horror well, but these two had some incredibly strong years, and the stories here represent by favorites, full of creep and cringe, dread and unease. They also, though, aren't afraid to be funny, and don't hesitate use a bit of gallows humor to get their points across. They are turns beautiful and repulsive, sensual and terrifying. So let's give out these awards!

Quick Sips - Uncanny #31 [December stuff]

Art by John Picacio

December brings three short stories and two poems to Uncanny Magazine, including two flash fictions. The pieces do a great job of mixing fun with some much darker elements. From superhero academies where a young girl is struggling with an enormous power to a market where the people going in are not always quite the same people who come out, to a very interesting kind of cosmic horror detective tale, the works blend fear, desperation, and vulnerability to amazing effect. Add into the mix the poetry, which looks at grief and monsters, expectations and fear, and the issue as a whole hits hard. And the main balm is that the works are also a joy to read, at turns wrenching and funny, sexy and tense. So let’s get to the reviews!

THE SIPPY AWARDS 2018! The "Time to Run Some Red Lights" Sippy for Excellent Action!!! in SFF

Welcome back to the Fourth Annual Sippy Awards! Some part of you might be wondering, “why?” The answer: to celebrate short SFF across different styles that make excellent use of various elements to shine as examples of why I love this field. There’s no panel of judges or voting population, just me and my inflated ego and love of short SFF. Given how most short SFF awards focus on length, I wanted to look instead at how stories use different elements to stand out and be powerful. This year I’ve already shipped some excellent relationship, cowered before some excellent horror, and bawled from the some emotionally devastating reads. Which means today it’s time to put the pedal to the metal with...

The “Time to Run Some Red Lights” Sippy Awards 

for Excellent Action! in Short SFF

These are stories that got my blood pumping, that made me want to run outside and punch an eagle in the face. Or, perhaps more accurately, they made me want to climb into a mech suit and punch the moon! I mean, come on, the moon is pretty smug up there, always looking down on everyone. Just saying. Anyway, the action doesn't always have to be traditional battles and brawls. Some of these stories are about a chase, or a race. Some are about war and the struggle of the individual against the weight of history and press of injustice. But these stories run hot, fast, and furious, and I think that stories like that deserve to be seen, because they do show how much fun and thrilling short SFF can be without sacrificing nuance or meaning.

As to the venues, there's perhaps less surprises here as they have been in other categories. All the venues are pro-paying and rather high prestige. Uncanny and Strange Horizons are both making second appearances in this years Sippys, and Lightspeed punches its ticket along with both Clarkesworld and Beneath Ceaseless Skies. It's not that, in my opinion, any of these publications are more action-focused, but when they choose to go for it, they do brilliantly. So let's get to the awards!

Quick Sips - Uncanny #21 [April stuff]

It’s a full March at Uncanny Magazine, with three original stories and four poems to kick off what in most places is the start of spring. And in many ways these are stories about cold and warmth. About numb moments and numbed hurts and the awakening that spring can bring. Not an erasing or easing of pain but a revealing of it. A thawing, and through that thaw a return of sensation. Not always free of pain (in fact, often full of pain), but also full of the hope that spring can bring. That healing is possible, that live can continue, even after the hurt and desolation of winter. It’s just a powerful issue and I’ll get right to the reviews!

Art by Nilah Magruder

THE SIPPY AWARDS 2017! The "I'd Ship That" Sippy for Excellent Relationships in Short SFF

It’s 2018! Which means that I’m already behind on reviews! But it also means that it’s time for me to pay homage to all of 2017’s amazing short SFF with the THIRD ANNUAL SIPPY AWARDS!!! It’s truly the awards that no one asked for, but I’ve never really let that stop me. There are five categories in the Sippy Awards, bunched around themes rather than length. I’m kicking things off today with one of my favorites. It’s time for the 2017…

“I’d Ship That” Sippy Award for Excellent Relationships is Short SFF

I’m a bit of a sap at heart. I mean, I write ridiculous and super-queer superhero romances, so that might be obvious. But relationships go beyond just romance, beyond just romantic partnerships. Friendships, family, and more help to make relationships one of the most important aspects of storytelling, and short SFF is no exception to that. So today I’ll be highlighting stories from 2017 that I think did an exceptional job with regards to relationships of all sorts. So without further delay…

Quick Sips - Fireside Fiction November 2017

The content continues to pour out from Fireside Fiction, with three flash fiction pieces, a short story, and two more chapters of the serial novella they've been releasing. It's a lot to take in, from pieces that feature a lot of fun but sneak in some incredibly profound and stilling moments as well. These are stories that capture a feeling of people struggling against injustices, against the limitations of their realities, against forces that want to keep people still and controlled. And it's about rebellion and the cost of rebellion. But the reward as well. Some of the pieces feature characters able to fight back, to win openly against injustice. Others must accept a more measured gain, a more incremental victory. And others still find that their victory is tenuous and might be taken from them, leaving them voiceless and abandoned. It's a neat mix of SFF stories, so let's get to the reviews!

Art by Max Cole-Takanikos

The Monthly Round - October 2017

The Monthly Round turns 3 today over at Nerds of a Feather, Flock Together. Go check it out. For those just interested in knowing my favorite short SFF reads of the month, the list is below. Cheers!

Tasting Flight - October 2017

“Fandom for Robots” by Vina Jie-Min Prasad (Uncanny)
“Barbara in the Frame” by Emmalia Harrington (Fiyah)
“To Us May Grace Be Given” by L.S. Johnson (GigaNotoSaurus)
“My Struggle” by Lavie Tidhar (Apex)
“Claire Weinraub’s Top Five Sea Monster Stories (For Allie)” by Evan Berkow (Flash Fiction Online)
“The Whalebone Parrot” by Darcie Little Badger (The Dark)

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Quick Sips - Uncanny #18 [October stuff]

October arrives at Uncanny Magazine with a flush of monsters and love letters, a complex web of desires, communities, and speculative traditions. The stories aren’t really what I’d consider spooky, though they do have an eye toward “classic” costumes—monsters, historical fashion, and robots. Instead, the stories and poems as well seem more concerned with the ideas and styles of the past, about the ways the present erases the past in order to create a new vision of the future. Or, perhaps, the ways that people now imagining the future come to override the imaginings from the past, so that what is futuristic and what is contemporary and what is anachronistic all are thrown into question. In some of the pieces, it means the styles of the past are updated and reinvigorated, while other works seek to find strength and joy in how the past imagined the future and how the past actually was, before time and taste and injustice erased everything that didn’t fit into the dominate narrative of history. So yeah, these are some complex and deep stories that still manage a sense of fun and focus. To the reviews!

Art by Ashley Mackenzie

Quick Sips - Claresworld #124

I rather like issues of publications that can manage to build some thematic synergy, and January's Clarkesworld does just that, presenting five stories that fit quite well together. Three of them, indeed, play with many of the same ideas. Human nature, loss, and artificial intelligence. These stories examine the ways that people live, the way that they hurt each other. Even one of the stories that doesn't feature AI looks at the systems that humans build to hurt each other, and imagine ways of possibly breaking free of the cycle of pain and abuse. These stories are difficult and complex and don't always give the most definitive of answers, don't necessarily succeed in imagining systems free of violence and pain. But then, they seem to do so pointedly. And of course, there is one story that is just fun, that gives a much needed break from the heavier ideas and themes and revels in something charming, witty, and light. All in all it makes for a fine issue that I will review presently! 

Art by Gabriel Björk Stiernström