Uncanny Magazine started around the same time that I got into reviewing. I have read every issue, and reviewed all but the very first one. So the bittersweet train keeps right on moving along as I come to my final comprehensive review of the publication’s original fiction and poetry. The works are strong, dealing a lot with the ways people sacrifice themselves, bend themselves, go without because they feel they should, because they think it’s right. And how...it’s not. Not right for some people to give up their hopes and dreams for others, especially when that’s taken for granted, perhaps forced. The stories look at the difficulty of healing, of making space for yourself and your needs, of recognizing damage done, trauma, and starting the healing process. It’s another excellent issue from the publication, and I’m happy that I can go out on such a high note (though I will keep right on reading the publication, and my coverage won’t exactly end, just shift a lot). To the reviews!
May brings three short stories and two poems to Uncanny Magazine, and there’s plenty of strangeness to go around. Now, I’ve seen it said that the publication lacks a central guiding aesthetic, and to a point I agree that it is eclectic and shows a wide range of the genre, but I also think that the title gives a lot away. There is a general feeling of the uncanny that I think the publication maintains, and this month is a great showcase of that, with three stories that are very different, but that carry along visions of the uncanny, worlds and people who are almost like our own, but different in some ineffable way that leads to a kind of disquiet and tension through which we can examine those strange new worlds as well as the reflection they cast back on our own. So yeah, to the reviews!
The holidays come a bit early this year with an extra-big issue of Uncanny Magazine, stuffed with four short stories and four poems. Of course, perhaps because we are finally in winter’s talons, the work has a decidedly complex and not-exactly-happy feel to it, the pieces confronting some very heavy issues and finding characters not always able to escape the harsh realities of their situations. From new gods born from misery and exploitation to an android finding their future grim indeed, from a young girl dealing with trauma and stress to a hero who knows that heroes are anything but always heroic, the stories are tinted windows into humanity, revealing us not always through contemporary humans but through our stories, our creations, and our works. It’s not the brightest of pictures, but it does create for some captivating and compelling short fiction, with a whole slew of poetry that ranges from sweet to brash and back again. To the reviews!
People of Colo(u)r Destroy Horror is official here, courtesy of Nightmare Magazine's October release, which means double the amount of original fiction to keep you up at night. The stories are…well, the stories show the range of speculative horror, with three mostly-contemporary pieces and one historical fantasy, all of which shine lights on very different aspects of horror and fear. The fear of the Other, of the foreign, and the invasion from the unknown. The fear of the self and the uncontrolled darkness a mind can harbor, that a mind can spin into tales to terrify, willingly or otherwise. The fear of anonymity, of the crush of circumstance and time that can strip people of their hope and humanity. The fear erasure, of dissolution, of death, of injustice. These stories know how to set the scene and each left me shaken, uneasy, and inspired. So yeah, without further hesitation, to the reviews!
