Showing posts with label Nibedita Sen. Show all posts
Showing posts with label Nibedita Sen. Show all posts

Thursday, April 2, 2020

Quick Sips - Fireside Magazine #77

Art by Omar Gilani
March brings four short stories and a poem to Fireside Magazine, and the pieces deal rather intimately with distance, with relationships, and with family. They find characters brushing against the unknown or plunging right in, driven by their dissatisfaction and their hope, their stubbornness and their pain. They trace wounds old and new as they try to avoid old patterns of grief and loss and lean towards something new, with all the terrible and beautiful potential that brings. To the reviews!

Thursday, September 19, 2019

Quick Conversations: Post-Apocalyptic SFF (with L.D. Lewis, Marianne Kirby, and Nibedita Sen)

Okay, so something a bit different today! I’ve done some interviews in the past for my Quick Questions series, but today I’m starting something new (and exciting!)...Quick Conversations. Which will run a bit longer and will be more of a round-table discussion about a topic of interest in short SFF. Today I’m welcoming three excellent writers to the blog to discuss a subject near and dear to a great many SFF readers’ heart—post-apocalyptic fiction. The idea comes from a super-awesome-looking anthology that is Kickstarting now, Glitter + Ashes: Queer Tales of a World That Wouldn't Die from Neon Hemlock (edited by dave ring). Definitely check out the campaign, and perhaps pay special attention to the promise that the project “will be an anthology about queer joy and queer community in the face of disaster.” I mean, yes please! 


The good news is that it’s already funded, too! There are still stretch goals to hit, but the project itself definitely is happening. The project’s editor, dave ring, has this to add:
“I am over the moon that we've met our initial goal.  One way or another, this book will be in your hands next summer.  I'd really like to increase the level of compensation for our writers, as well as include the folks who've agreed to jump in at each of our stretch goals, so please check out our project!  Now that we are funded, submissions will open over at neonhemlock.com/submissions, and will remain so until November 30th."


Anyway, if that hasn’t convinced you, I invite you to sit back, relax, and absorb some amazing insights from some of the project’s contributors.

Tuesday, July 30, 2019

Quick Sips - Fireside Magazine #69

Art by Mary Haasdyk
It's another full month of content from Fireside Magazine, with five stories and one poem full of magic and family and cages. Whether the cage is more literal or figurative, though, varies from piece to piece. Sometimes the cage is a bargain there's no getting out of. Sometimes it's a future you're trying to avoid. Or a society's expectations that wrap tighter than chains. Or a promise made to a friend that takes on a life of its own. Whatever the case, the pieces show characters dealing with these constraints, these cages, and seeking perhaps to break free, to shatter the bars, to reach for freedom. To the reviews!

Monday, June 10, 2019

Quick Sips - The Dark #49

Art by Jonathan Simard
The June issue of The Dark focuses on systems and being stuck in them. It finds two characters who have been pulled into a situation they didn’t chose and don’t want. Where they are pressured into becoming an instrument of death, a pawn in a hunger they don’t want to have. They have two very different paths through these troubled waters, though. Because not all hungers can be refused, and not all chains can be broken, even if sometimes hope and family are enough to reach for freedom. To the reviews!

Monday, May 20, 2019

Quick Sips - Nightmare #80

Art by Chainat / Fotolio
Two very different stories make up the May issue of Nightmare Magazine, though both have a lot to do with history and justice. One is a ghost story, though, about curses and about betrayal—about a moment of two people finding each other in the midst of corruption and loss and helping each other a little bit find some beginning of, if not full justice, at least some revenge. And the second piece is a formally innovative one about a history that has for so long been written by colonizers, and is just now starting to include the voices of those with direct ties to the history in question. Both pieces ask what justice looks like in the midst of corruption and violence. Neither necessarily reaches a full answer, but their attempts do paint a startling and rather creepy picture. To the reviews!

Tuesday, February 19, 2019

THE SIPPY AWARDS 2018! The "I'm Sleeping with the Lights On" Sippy for Excellent Horror in Short SFF

The 2018 Sippy Awards keeping rolling on! For those just joining, the Sippys are the "coveted" awards no one really asked for, celebrating short SFF across five categories grouped by theme, as picked by me. Last week I revealed my favorite relationships in short SFF, and this week I’m going in a much darker direction. So make sure you've brought your noise-cancelling headphones, all creepy doors to the basement are chained tight, and get ready for...

The “I’m Sleeping with the Lights On” Sippy Award 
for Excellent Horror in Short SFF

For me, horror is all about fear, about feeling. And certainly 2018 has been a year ripe with horrors great and small, global and personal, for probably most people reading this. It's probably no surprise that a number of the stories I've chosen to celebrate here focus on the climate and natural world, the ways that humanity it driven by exploitation that is unsustainable, cruel, and ignorant. But there are other horrors still. Some that dress themselves in the guise of virtue. Some that hide in the pillars fo society, in its laws, customs, and media. And some that can only be heard through the static hiss of a recording, waiting for someone to press play.

As for venues, Nightmare Magazine (as might be expected) had a very strong 2018, and comes away with two of the five spots this year. Apex, another publication devoted to dark SFF, also walks away with one. And the Book Smugglers and Fiyah both make the list as well, because while neither of them focuses specifically on horror, they certainly do a great job of it when their attentions draw in that direction. Many thanks to all the people who helped bring these stories into the world, from the authors to the editors to the people behind the scenes. So, to the awards!

Thursday, August 30, 2018

Quick Sips - Fireside Magazine #58

August brings two short stories and two very short flash fictions to Fireside Magazine, each of them circling around memory and difference, hurt and acceptance. In each of the stories, a character is dealing with being put into a hostile situation, where they aren't wholly sure of the rules. For some, this means they try to define those rules, to give them shape when it seems there isn't any. For others, though, it means deciding to act regardless of what rules they might be breaking, and forging their own ways forward despite the danger and oppression. It's a rather wrenching month of stories that have a definite fantasy lean, and a fantasy where magic is pushing in on the "real world" to varied results. So let's get to the reviews!

Art by Kevin Tong

Thursday, June 21, 2018

Quick Sips - Nightmare #69

June brings a pair of stories to Nightmare Magazine that certainly aren’t squeamish about blood, or guts, or scale. Both stories confront the reader with visions of blood and violence, though not always involving humans. Still, they are lessons in empathy and the shock of seeing something—someone—pulled apart. Both look at the way that such a confrontation can make someone numb to it, and the ways that there’s still some horror lurking under that acceptance. More, the stories look at scope in terrifying ways, revealing darknesses so vast that it seems to consume light and hope and joy. What remains is somewhat up to reader to contextualize. Good or bad, right or wrong, the stories are often bleak and draining, and yet there’s something of a warning to them as well, that people can confront their demons in stories and learn their lessons without the gore and violence spilling over into the real world. To the reviews!

Art by Andrey Kiselev / Fotolia