Quick Sips - Fireside Magazine #86/Fireside Quarterly Autumn 2020

Art by Don Rimx

So this review, my last in this format, also has the honor of being something of a complete mess. Because, well, Fireside Magazine has had something of a bumpy road recently, and it’s thrown off the publication schedule. What’s more, because the print Fireside Quarterly has been running ahead of the magazine, there are still a number of stories that are 2020 releases that haven’t made their way online yet. So…I decided to just settle up. So here are both the stories from the most recent issue of Fireside Magazine, and all the original stories in the latest Quarterly as well. In total, it’s nine new works, and it makes for a wonderful assortment of SFF visions and voices. And it might be messy, but for maybe the last time, let’s get to the reviews!

Queer Smut Reviews - Nasty: Fetish Fights Back, eds. Anna Yeatts & Chris Phillips

Welcome to the second installment of Queer Smut Reviews. So make sure you’re wearing your protective poncho and buckle in, because it’s a rather wild ride. I’m looking at a collection of short stories today, Nasty: Fetish Fights Back, edited by Anna Yeatts and Chris Phillips of Flash Fiction Online. It’s smut for a good cause, too, as a portion of proceeds go to Planned Parenthood (which is even more important now, given all the health things going down right now). There are 27 stories in all, which...wow. And full disclosure, I wrote one of them. So really I’ll only be mentioning 26 stories in this review.

Now, I tried to look more closely at the stories that were specifically SFF. That doesn’t mean I just skipped the rest, but you’ll probably notice that my reviews are more robust for the SFF stories. This is both because smutty SFF is exactly what I want to be looking at and because if I wrote long thoughts on them all my hands would fall off. It’s a rather great collection, though, and I definitely recommend that people pay attention all of the stories. Part of the reason I want to look at smutty SFF with a critical lens is much the same reason that this collection exists—to try and bring people together to resist the idea that sexuality and bodies are topics that don’t belong in polite conversation. Where the stories shine the most, I feel, is where they look at consent and transparency, people talking to people and negotiating to make sure everyone is safe and getting what they want. Where I think the stories falter a bit is when they neglect that.

But enough stalling—let’s get to the reviews!