Showing posts with label Cat Rambo. Show all posts
Showing posts with label Cat Rambo. Show all posts

Friday, January 27, 2017

Quick Sips - Glittership January 2017


2017 is bringing a few new faces to Quick Sip Reviews, and Glittership is the second new publication I'm adding to my review list. Since it's beginning I've followed the publication and I'm thrilled to start officially reviewing it. This comes at a time when Glittership is changing its format somewhat. It's still releasing stories every month, but now it will also be releasing a quarterly issue to collect all these fine stories. I'm going to be checking in every month, though, to look at what they're putting out. Which kicks off with the January offerings of an original story and a reprint, both of which dive headlong into some rather strange waters. Which is rather wonderful, to be honest. The stories show settings that are weird and, at times, a bit uncomfortable. Goofiness hiding something dark and sinister that is brushed against, that informs the stories without overwhelming them. These are stories that might make you laugh but will definitely catch your attention and, before you know it, might twist into something a bit more serious. Or might just be fun. Whatever the case, it's time to review! 

Monday, May 9, 2016

Quick Sips - Clarkesworld #116


There might not quite be as many 10K+ word stories in this month's Clarkesworld Magazine as last month, but it doesn't mean it skimps on quantity or quality. Five original stories, all but one over 6K (all but two over 8K), means that this is still a dense brick of an issue, with stories that build expansive worlds and meticulously chip away at the safety of the reader. Once again all five original stories are science fiction (which for this publication isn't exactly a surprise), and showcase some stunning trips through space and time. Visions of humanity reaching out and touching something. In some, the act is constructive. In some, naïve. But in all of them the stories show how space shapes humanity, and how humanity shapes space. How we fit ourselves in to that vast emptiness and find something about ourselves. So time to review! 

Art by Peter Mohrbacher

Monday, March 14, 2016

Quick Sips - Beneath Ceaseless Skies #194 Science Fantasy Month 3

March marks Science Fantasy Month 3 at Beneath Ceaseless Skies, which means an extra story in this issue and a "You got chocolate in my peanut butter" convergence of two things that I quite enjoy. The stories pop with a unique feel and blend and with an energy that is infectious. There's a movement to all of the stories, a pursuit to them, a purpose. But just as these three stories all show characters running toward something, they are also stories about running away. About being afraid and fleeing to some perceived safety. And the stories work, are at turns hopeful and happy and tragic and doomed. It's a special month and it hits its mark beautifully. To the reviews!

Art by Sung Choi

Monday, December 7, 2015

Quick Sips - Clarkesworld #111

For it's December issue, Clarkesworld's gift to you and me is a month of great fiction. Four stories anchor the issue, all of them science fictional in nature. This issue manages to mostly stick to hope, most of the stories finding a way forward despite ugliness, despite despair, despite adversity. And all of them tell some fine tales about the edges of space, about the edges of human achievement. About people surviving and thriving in environments that could easily kill them. It's a full issue of fiction, plus an interesting nonfiction piece dealing with a topic I have OPINIONS(!) on, the Classics. So let's get to it!


Art by Peter Mohnbacher


Tuesday, April 14, 2015

Quick Sips - Beneath Ceaseless Skies #170

Two new stories are the subject of today's review, from the latest Beneath Ceaseless Skies. Also a new cover! The cover art at BCS is always exceptional. Anyway, the stories are both thematically similar, featuring women who are at least part of a wild, magical world. In the first, the main character is a dryad and in the second the main character is not exactly human. Both stories focus on how humans seek to exploit the magic of these individuals, how those in power try to tame the wild to make weapons and servants. And how that urge, to exploit the wild magic, to turn them into weapons, often leads to those weapons getting free. In both stories, that journey, from wild to weapon, is a tragic one, filled with pain, but it's also a necessary one, that these creatures take hold of their own power to fight back. It doesn't make them less tragic, because something is lost in that turning that cannot be regained. But at least it's giving back agency to those who've been exploited and used. Anyway, that's a rambling intro. To the stories!

Art by Christopher Balaskas


Monday, January 5, 2015

Quick Sips - Clarkesworld #100

So here's my first post, looking at Clarkesworld #100. It's a long issue, with two translations. Just FYI, I don't normally read reprints, but I will read first time translations, as these are. And normally I won't review non-fiction either, but I'll make exceptions at times, like for one of the pieces here. Indeed!

Stories:

"Three Cups of Grief, by Starlight" by Aliette de Bodard (6934 words)

An interesting story told from three perspectives revolving around the death of one woman who is mother to the first character, a human male; mentor to the second character, a human female; and mother to the third character, a mindship female. The pacing is slow, easy, and the story contrasts nicely how the woman lives on through the people she leaves behind. And though her memories, her electronic remains, are passed to the one non-family member in the story, it is the others, the son and daughter, that keep her more whole. It makes a soft point about grief and about memory, and is nicely written, but it didn't really strike me as much as I would have liked.

"A Universal Elegy" by Tang Fei, translated by John Chu (6898 words)

A series of letters sent from a woman to her brother that trace a very strange journey among the stars, I was at first a little hesitant about the story because it begins with a woman fleeing one abusive relationship for what seems another. It doesn't turn out exactly to be the case, but there is a sense that the main character has some issues with her independence, that there is some serious issues with her life that put her in situations where she's nearly worshipping the men she's with. When she goes along with an alien to his home-world, though, things shift a bit and she learns more about herself, about the way she wants to live. I really liked the ending, that idea that the alien she was with can amputate memories. Those last lines are powerful. The middle dragged on a bit for me, though, and I still feel some of this one went by me.

"Cat Pictures Please" by Naomi Kritzer (3429 words)

Now here was one that had me laughing and nodding, as a AI tries to be benevolent while harboring a strong passion for cat pictures. I loved how the humor weaved throughout, how the AI makes decisions based on cat pictures, how it tries to help people. I'm not entirely sure about that aspect of the story. The part with the "gay" pastor was cute and I think made an interesting point, but I didn't like that he had to be gay and couldn't have been bi. I understand the point was probably that he was repressing his homosexuality because of his religion, but I don't really like that he is shown to not actually like women, too. It's a small criticism, but one a bit close to my heart. Overall, though, I liked the idea of the trying-to-be-helpful AI who doesn't have it all figured out yet. Learning that sometimes you can't help people, but maybe you can help them help themselves.

"The Apartment Dwellers Bestiary" by Kij Johnson (4109 words)

I did get a kick out of this story, as well. At first I had to kind of squint at it, but by the end those last lines are hardly necessary. Probably anyone who's had roommates or lived communally at all will recognize some of the creatures. It was a little jarring that the entries didn't seem joined by a common narrator or recorder. They seemed to jump around, which offers a bit more diversity (which was nice), but for a while I wanted to think that it was the same person again and again and that stopped making sense to me at some point. Still, the creatures are fun and the story taken as a whole provides some interesting glimpses into what we choose to live with. Probably it wants more than one reading, though, so there's that.

"Ether" by Zhang Ran, translated by Carmen Yiling and Ken Liu (14684 words)

This one was long. I will admit that there was a stretch where I really wanted to set it down and abandon it. Which would have been a mistake, because it is a very neat story, one that imagines a world where dissent isn't exactly impossible, but that it's isolated. Where the government controls things not so that people can't say what they want, but so that people can't hear what other people say. They filter out the controversy and dissent so that people only hear inane drivel. It's a cool concept but one that takes a long time to come out. And in the end there isn't too much the story does with that idea, though there is a sense it will happen. That something has to happen. It does a great job at looking how humans need other humans to be passionate, how destructive it would be to take away the echo chamber. It doesn't really examine the dangers of the echo chamber, nor does it complicate the matter by looking at how the world has changed for the better at all, but it's still an interesting story, if very long.

"The Long Goodnight of Violet Wild" by Catherynne M. Valente (5982 words)

Weird and tragic, this one took me a while to get into. The lingo is foreign and very strange. Is it a bit gimmicky? Yes, but not in a bad way, or at least not in the worst of ways. The language, the landscape, are strange and much of it has meaning to unpack. And like most stories that use such an altered language, it gets easier to read as you go, perhaps because you get used to it or because it's hard to maintain as a writer and it just eases as things go. There's a very interesting story here, but it's only the first part. Violet Wild is a fun character, rebellious and trying to recapture her first love. It does not have the feeling of a story that is going to end well. The more child-like setting, one where things don't work by adult logic, seems more like it will contrast with the tragedy of death and the tragedy of whatever is going to happen to Violet when she gets to the Red Country. But I guess I will have to wait and see.

"An Exile of the Heart" by Jay Lake (7001 words)

Definitely one that will bring a smile. I must admit that I have a soft spot for sci fi stories like this, ones that don't mind showing people breaking out of expected roles and norms. Showing that loves rises. There is a bit of uncomfortableness because of how a "love potion" is used and so there is some question of consent at times. I want to believe that it doesn't really matter, but maybe it does. I'd have to think on it more. It's a fun story, though, light and adventurous and with a good ending. Narrated, too, which is a bit more odd, because it does a good job of staying out of people's heads all the time. It's a story to speak aloud, and one that's definitely worth reading.

Non-Fiction:

"#PurpleSF" by Cat Rambo

Some nice stuff here about encouraging diversity in SFF. Given that it touches on Gamergate and other rather horrible things that have happened in the last year, it's a really fine map of what's been going on, and where things can perhaps move now that we're through and (hopefully) beyond some of the idiotic crap that Gamergate brought with it. An excellent read!