Showing posts with label Brian Trent. Show all posts
Showing posts with label Brian Trent. Show all posts

Thursday, October 4, 2018

Quick Sips - Terraform September 2018

I'm closing out my September reviews with a look at Motherboard's Terraform, which brings four new looks at rather terrifying possible futures. As usual, the stories range from predictive to outlandish, but all of them lean toward warnings. Signs for people to read and pay attention to. Turn back now. Avoid this possible time when humanity has lost respect for our world and our selves. These are pieces look at the way things could be with an unblinking gaze and invite readers to look into that abyss. It's a nice range of works, too, from far future space extinctions to much more grounded political sci fi, where corruption and injustice are only a step or two beyond what we have now. It makes for a strong month of stories, which I'll get right to reviewing!

Friday, November 10, 2017

Quick Sips - Flash Fiction Online November 2017

The November issue of Flash Fiction Online takes on the theme of being thankful with three original stories that all revolve around ideas of finding kindness in the heart of struggle and hardship. In each of the stories the main characters find themselves in a bad situation, faced with being a witness, participant, and victim of pervasive conflict and loss. In the face of this, they all face questions of what to do, whether to turn away from the struggle and try to find an easier road for themselves, or to face the larger issue and resist it. The stories show characters finding small ways to push back, even when it seems hopeless, even when it seems useless. It reveals the power of hope, and how helping even one person makes a difference. So yeah, to the reviews!

Art by Dario Bijelac

Monday, September 7, 2015

Quick Sips - Crossed Genres #33 (Year 2065)

The three stories for the Year 2065 theme of Crossed Genres do take very different approaches to the idea. They all are at least partly set in the year, but there are different visions. One vision shows what might be, how far humanity might progress in that time, both technologically and morally. It's followed in short order by a story that also shows how far humanity might move technologically and morally, but not in the same direction. And the last shows a glimpse into a possible future, a dream that seems as fragile as a life. Very good stuff, and some interesting ideas on what the world might be like in fifty years.


Thursday, January 15, 2015

Quick Sips - Crossed Genres #25: Indoctrinate

This month's Crossed Genres #25 is centered around the theme "Indoctrinate." As far as themes go, it's not too bad. There's a lot that can be done with it, as shown by the three stories here. In any event, here we go!

Stories:

"Cabaret Obscuro" by Julian Mortimer Smith (4058 words)

 A neat piece that almost seemed noir to me, at least in that it evokes that time period where cabaret's and shows of that sort were more popular, and it revels in a sort of mirky feel that makes me imagine in sepia. There is also the feel that this is a dangerous time to be different, that for the people of the story, the immigrant performers, things are not very good and they're fighting for even the most basic of rights. The fact that these immigrants are from the stars and not from other continents is what gives the story its speculative wrinkle, and it's a good one. There is an exotic flair to the situation, one that comforts as well as bothers the main character, a musician and dancer. I'm guessing the indoctrinate part of the story was the racism that many of the people had in reacting to the cabaret, though I feel I didn't get to learn quite as much as I wanted to about the various cultures meeting. Still, it was good and thoughtful and complicated. So hurrah!

"Distant Gates of Eden Gleam" by Brian Trent (4992 words)

In this one an average sort of man gets brought into a secret organization that runs the world to be complicit in some pretty awful things. It's a story where he basically gets anything he wants, is giving everything that people would assume he wants, and yet still decides to do the right thing and outsmart the secret society and save the day. It's not a bad story, either, with some humor and some interesting ideas. I normally don't like these kinds of stories, though, that imply that there is this guy who seems average but is secretly incredible and does crazy things that benefit everyone. There's something...that just rubs me the wrong way about those kinds of stories. I would think that it's about how people who seem like they're not exceptional still have that potential, but...well, it seems more to be saying that just this one guy was good. Everyone else in the company was just complicit but stupidly so, which let him outsmart them all. Which is a bit of a stretch. And that he doesn't abolish the power structure bothered me a little. He just takes over. Which is...well, it brings its own set of problems that aren't addressed. But it still has some nice moments, and funny voice.

"The Lion God" by Benjamin Blattberg (3703 words)

A nice little story about a resistance fighter going up against a literal Lion God. It's an interesting idea, that a lion with miraculous powers shows up one day claiming to be God and because of those powers gains control of the world. Of course he implements some harsh rules that benefit him and play into a conservative agenda and so people start fighting back. Only the Lion God has a breath that can break wills. Luckily he's a bit too full of himself to just use it on the main character, because she is filled with poison and so as he tortures her on natural television to get a confession, he ends up kind of killing himself. And I do like that, that he had the power to save himself and didn't because he thought he was unassailable, and that this woman managed to hold out long enough to succeed. The ending was a little less clear, as people kind of go crazy but I never got that much an idea of what this place looks like. Still, it was a good story, and the main character manages to look at the face of death and not flinch.