Welcome
back to the Second Annual Sippy Awards! The short SFF awards that no
one asked for is here again because I said so, dammit! I've shipped my favorite SFF relationships.
I've kept the lights on for my favorite SFF horror. So now it's time
to examine yet another dimension of SFF short fiction.
Okay
so yes, as a reviewer I tend to wear my heart on my sleeve. Part of
the joy of engaging with stories is being effected by them. Is
following where they lead, intellectually and emotionally. So for me
stories that can move to tears are incredibly valuable. They hit and
they hit hard. They draw blood.
They
also inspire. Each of these stories can be a lesson in empathy. In
really trying to understand what the characters are going through.
Their grief and their loss and, through it all, their hope. More than
anything else, it's the hope that gets me, that moves me, that breaks me and put me back together again. There is despair, yes, and pain. Sometimes far too much
pain. Some of these stories are bleak. But none of them are without
hope. And so while they all make me a large puddle of feels, when I
solidify again I am the stronger for it. And that's why I love these
stories, and why I can say without shame that these are the stories
that made me cry the most in 2016. Yes, it's time for…
The "There's Something in My Eye" Sippy
for Excellent Making Me Ugly-Cry in Short SFF
THE SIPPYS!
"Plea"
by Mary Anne Mohanraj (Lightspeed)
This
story brings viscerally home the realities of trying to flee
conflict, of trying to flee hatred. Especially with family.
Especially with children. The story is about the way that safety can
be lost, the way that hope can be crushed, only to bloom regardless.
It's a story that is for me incredibly difficult to read but also
incredibly important. I might weep as the story winds its way through
the harsh cruelties of life and war and bigotry, but it is an
unflinching look at what it can mean to be a refugee, what it can
mean to have your family torn apart. It is wrenching and it is brutal
and it is amazingly done.
"Life
in Stone, Glass, and Plastic" by José Pablo Iriarte
(Strange
Horizons)
Stories that look at the value of art in face of injustice and devastation seem especially valuable now. And I just love how this story creates a mosaic of both loss and hope. The story reveals lives t That were overlooked. That were cut tragically short. In many ways the story is about rage and about struggle and about finding meaning in a world where it never seems like there's enough. Where things aren't fair. But it never loses sight of beauty or joy or hope, and indeed shows how necessary those things especially when there's so much hardship. The story does not seek to erase the anger or the righteousness of people fighting back against injustice. Instead, it's a reminder that single moments of relief can sometimes be great victories.
Stories that look at the value of art in face of injustice and devastation seem especially valuable now. And I just love how this story creates a mosaic of both loss and hope. The story reveals lives t That were overlooked. That were cut tragically short. In many ways the story is about rage and about struggle and about finding meaning in a world where it never seems like there's enough. Where things aren't fair. But it never loses sight of beauty or joy or hope, and indeed shows how necessary those things especially when there's so much hardship. The story does not seek to erase the anger or the righteousness of people fighting back against injustice. Instead, it's a reminder that single moments of relief can sometimes be great victories.
"Breathe"
by Cassandra Khaw (Clarkesworld)
This
story features a bad situation getting worse. And worse. It's a story
with a relentless pace and weight and momentum. And though it holds
out a glimmer of hope in the end, it's also a crushing story about
effort and sacrifice and loss. It unfolds far from Earth, under a
deep sheet of ice, in a sea where the only life is supposed to be a
sort of algae. Only that doesn't turn out to be entirely accurate and
for one person stranded in this vast darkness, their world suddenly
shrinks away from science and studies and stars and becomes an
onslaught of activity, action, and the need to breathe. And at the
end of it all I was left bleary, teary, and a little bit broken
inside.
"Her
Sacred Spirit Soars" by S. Qiouyi Lu (Strange
Horizons)
This
story is told in two parts and neither of them are
particularly…happy. It is the first part that abosolutely wrecks
me. Every time. And it's the second part that slowly shows me that
not everything is over. The story is lyrical and mythical and
amazing, taking a historical fantasy look at a time fraught with
conflict and shady medical ethics. I love the way that it weaves this
story across continents, across minds and bodies. There is a feeling
of flying that it manages to convey, and also a feeling of trauma. Of
being cut in two. And of having to find a way forward, either toward
finding that other half again somewhere new, or learning how to be
whole even when you don't feel it.
which leaves...
"Toward the Luminous Towers" by Bogi Takács
(Clarkesworld)
This
story looks at the damage done by war. The way that it twists people
and peoples, individuals and groups and nations. It centers on a
person turned into a weapon in an ever-more desperate situation, a
valuable resource who, in peace, might have found joy in networking,
in bringing people together, in creating environments for people to
learn and live. But who, because of a war that is poorly run and
understood, is exploited mercilessly, again and again, leaving their
brain frozen in the pathways of murder. And though they could have
been saved, could have been healed, their government decided instead
to just…not. The entire piece is heartbreaking in how avoidable the
tragedy is, is heartbreaking because of how war is used and what war
destroys. From being able to do so much the main character is left
with one path left that will let them be free. And that path…well,
I cried. It's a commentary on the ways that war reigns in
possibilities just as warring governments seek to limit the
availability of options, preferring their citizens to believe that
there is only one choice, only one possible decision in the face of
the looming conflict, and it's to let the government decide. And it's
that narrative the main character ultimately fights against, giving
everything to prove that even in the direst of situations, there are
always options. The ending is beautiful and triumphant but also an
emotional weapon of mass destruction. So, rather fitting to the
subject matter. It's a stunning read!
And
there you have it! Be sure to stop back in next Sunday when I'll
reveal the winners of The "Let's Run Some Red Lights" Sippy
Award for Excellent Action! in SFF.
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